Current Exhibitions

  • Jon Mikel

    The first one-man show to be held in an institutional art centre since the year 2003. Many of the sculptures materially specify some of those possibilities in a series of gestures in the body of the building, in the form of in situ documentation exercises.

  • Costa Badía

    Fantasy, high heels, pink, interlude, prosthesis, accessibility, the norm perverting the norm: this is the world of Costa Badía (Madrid, 1981) which will take over the ground floor of Museo CA2M from 26 January.

  • June Crespo

    June Crespo understands sculpture as an exercise that enables her to bring together seemingly opposed qualities. Her works partake equally of the petrean and the perishable, the mechanised and the manual, the abject and the sensuous. The convergence between materials and motifs creates a vocabulary that seems interpretable as a contradiction.

  • An Wei

    An Wei Lu Li has created a specific pictorial installation for the cafeteria at the Centro de Arte Dos de Mayo Museum, with the sponsorship of Cervezas Alhambra

  • Xabier Salaberria

    In his work, Xabier Salaberria explores the forms in which certain structures behave in specific spaces, perverting their apparent neutrality and questioning the categories in which they are conventionally inscribed.

  • elena alonso

    Al cuidado de las pequeñas sombras (In the care of the small shadows) is a site-specific installation created by Elena Alonso for the terrace of the Centro de Arte Dos de Mayo Museum, consisting of four sculptures conceived as a bat shelter.

  • Un hacer asociado

    To celebrate International Museum Day, CA2M has come up with a new way of activating its collection and making it more widely accessible.

    “ASSOCIATED MAKING. ASSEMBLY KIT OF PIECES FROM THE CA2M COLLECTION” is a curatorial programme by Marta Ramos-Yzquierdo that views the exhibition as an open, imaginative and surprising reflection in which artists, institutions and audiences can collectively rethink our contemporaneity.


    There is a signature feature to Hannah Collins’s photos of urban horizons: the sky is always tinted with a strange colour. Like the images over the credits of an imaginary film, this photo captures the feeling that a particular place—whether through premeditated cultural references or a subjective impression—produced in the artist at a certain point in time.

  • Allan Kaprow. Comfort Zones. Junio 1975_CA2M, 2018

    CA2M is now implementing the #Unmetroymedio project, which consists in getting artists who are resident in the Region of Madrid to explain to us what they are working on during confinement. Availing of the domestic means at hand, they will express their ideas through texts and images or will simply tell us how they are and talk about the possible futures that face us. 

  • Tejiendo Móstoles

    In 2014, three women who lived in Móstoles began to meet regularly at the CA2M cafeteria to chat while crocheting together. As they were gradually joined by more and more people, the museum ended up offering them more space, and every Wednesday from 11.00 a.m. to 2.00 p.m. they were provided with a large table that would soon be complemented by a textile work from the museum’s permanent collection by artist Teresa Lanceta.

  • Manuel Saiz

    Let’s Think Positive came about in 2003 as part of the exhibition If Alive that Manuel Saiz presented at the Museu de L’Empordà in Figueres, Girona. The idea behind the exhibition was the beginning of the preparations for his future 65th birthday on the 10th of January 2026.

  • Usos infinitos. Intervención permanente en la señalética del CA2M. Dora García

    Among the various artistic interventions contingent on the exercises in architectural acupuncture begun in autumn 2016 at CA2M, Dora García has conceived an exhibition which takes the form of new signage in a permanent intervention that involves all the art centre’s various spaces.

Future Exhibitions

Juan Muñoz

This exhibition commemorates the 70th year since the birth of the artist Juan Muñoz (Madrid, 1953 – Ibiza, 2001). In recent decades, no other Spanish artist had achieved such international fame, with a dazzling career from his first exhibition in 1984 until his untimely death at the age of 48. The show—which will be a prolongation of the exhibition on view at Alcalá 31 between February and June 2023—will focus on the first ten years of his practice.

Karlos Gil

This exhibition by the artist Karlos Gil (Talavera de la Reina, 1984) is the most complete public presentation of his work to date. It showcases some of the various lines of work that have marked his practice in recent years: the relationship between artificial and natural, technology and the body, obsolescence, the complexity of second and third degree urban signs, science fiction... among other issues.

Esther GAtón

Emil Lime is an exhibition by Esther Gatón curated by Cory John Scozzari. This project sets in motion forms, techniques and conceptual interests frequent in Gatón's practice, such as the construction of ambiguous environments, amateur science, visual artifices, and the crossovers between femininity and machinery, articulating them in a single installation.

Past Exhibitions

Martin Wong

Malicious Mischief is the result of exhaustive research into the artist’s life’s work with a view to expanding its narrative and recognition among European audiences, spanning from his early creations on the East coast to his work in the late-90s before he died from AIDS-related illness. 

Gonçalo Sena

This fountain is made through a twofold transformation of materials sourced from nature. Firstly, marble—the material par excellence of classical sculpture—is a previously cut piece which was perhaps originally destined for industrial use.

Mitsuo Miura

Mitsuo Miura arrived to Barcelona from Japan in 1966 with a suitcase in either hand and just a bare few words of Spanish. Armed with his oriental tempo, he sat down on a bench in Plaza de Cataluña to watch how this city by the sea passed by. Ever since, the young Japanese artist never stopped observing each and every one of the landscapes in which his personal life experiences have been played out. And so we could view his exhibitions as invitations to contemplation and displacement, almost always related with wellbeing, memory and pleasure.

Alexander Apóstol

Alexander Apóstol’s projects build a critical analysis of the aesthetic processes of political construction in his native Venezuela. Like other artists from his generation, who started to exhibit their work in the early-nineties, Apóstol (Barquisimeto, 1969) used the tools of photography and video as key elements in a critique of representation, in which the visual culture produced by power and the mass media—with their stereotypes, clichés, concealments and propagandas—is co-opted as the raw material of the work of contemporary art.


On 2 July 1970, on a public stage in Frankfurt the artist VALIE EXPORT tattooed herself with a garter, a radical transgression of gender stereotypes—given that at the time tattoos were seen as the exclusive purview of men, especially convicts and sailors—but also a case of taking the use of her own body to the extreme, as the artistic action that became a permanent part of her body that would last her whole life long.


Can moving arms, legs, hair be inspiring for a movement, a coming uprising for more joyful and equal ways of living together? Engaged with the precarious moment of taking the stage—a moment which allows for one’s visibility while at the same time disclosing one’s fragility—Portrait of a Movement addresses questions of pleasure, power, and radical difference. Two large film installations form the core of the exhibition: while engaging with dance movements and artistic collaborations, they explore abstraction’s potential for resistance in the face of reactionary politics.

Exhibitions Publications

El Testigo. Teresa Margolles

El Testigo es el título de la exposición de Teresa Margolles en el CA2M Centro de Arte Dos de Mayo, comisariada por María Inés Rodríguez. La muestra traza una visión de su trabajo reciente a través de una serie de obras realizadas en los últimos cinco años. Propone un camino en círculo, tanto real como figurado, que orbita alrededor de la historia reciente de Ciudad Juárez.

catalogo utray

This exhibition catalogue brings together the works on display, documents, photographs, and texts by Mariano Navarro, María Escribano, María Vela Zanetti and Miguel Cereceda; a writing and poetry anthology by the artist himself; and testimonials by Guillermo Pérez Villalta, Chema Cobo, Fernando Huici, Ignacio Gómez de Liaño, Borja Casani, Mireia Sentís, José Luis Gallero, Jacobo Fitz-James Stuart, Clara Díaz-Aguado, Lola Moriarty, José Tono Martínez, Fernando Castro and Domingo Sánchez Blanco.

Portada Cecilia

CA2M and Turner are producing the Spanish reprint of this book, published in Rotterdam by Kunstinstituut Melly. 

This monograph addresses one of the most multifaceted and fundamental artists in the world of Latin American contemporary art today.


Javi Cruz has a lot to do with the forms of production currently taking place in Madrid that define its contemporary cultural scene today

Querer parecer noche

Querer parecer noche brings together different forms of artistic production in Madrid. Its creations are split between a longer tradition of historical nostalgia and the current histrionic moment, with their different sensibilities and ways of living, where the 'local' is built on the fine line between those who live there and those who are passing through.

Armando Andrade Tudela. Autoeclipse

Autoeclipse is an exhibition designed to be a sort of retrospective of recent works, one that nonetheless allows us to take a critical look at Armando Andrade Tudela's work to date. The pieces on display work through the tensions they create with their predecessors, with Armando's own biography, and with the political and social development of the places where the artist has lived, reflecting an artistic endeavour in the public and social space as well as in the more intimate, private one.

Borrador para una trama en curso. Cabello/Carceller

Through interdisciplinary practices, the artists offer alternatives to conventional narratives about socio-political minorities, including discussions about the role of contemporary artistic production. 

Miguel Trillo Doble exposición

Miguel Trillo. Doble exposición revisita las dos primeras muestras individuales de Miguel Trillo que tuvieron lugar en la Galería Ovidio (PopPurri. Dos años de música pop en Madrid) en 1982 y en la Sala Amadís (Fotocopias. Madrid-London) en 1983. El proyecto pretende reflexionar acerca de los displays que Trillo utilizó para mostrar sus trabajos, alejados de los modos más convencionales en que la fotografía se exponía en los escasos espacios que le daban cobijo a principios de los años ochenta.