912760221

912760221

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience. Thus, the exhibition’s performative routes focus on the spectator's experience and turn their gaze towards current art. In this way, we create meeting spaces in which to experiment and construct critical discourse regarding contemporary work. 

At this time, we wish to invite you to visit two of CA2M’s exhibitions with us.
On Saturdays at 6:30 PM we propose visiting TRÉMULA, artist Javi Cruz’s exhibition, together. And on Sundays at 12:30 PM, VEROÍR EL FRACASO ILUMINADO (EXPERIENCE THE ILLUMINATED FAILURE) by the artist Cecilia Vicuña. There will be a maximum of 6 people.

To sign up, write to educacion.ca2m@madrid.org or call 91 276 02 21. You can also come directly to the museum and, if there are not too many of us, join the tour by leaving your details at reception. We take all of these measures in order to take care of ourselves and to take care of you, though we are aware that these measures may change according to the situation. We look forward to meeting up with you again.

Type of activity
Dates
Saturdays and Sundays
Intended for
Inscripción
-
Entradilla

Triggering impulses, working in an experiential way, promoting critical attitudes through action, involving the body in learning processes ... These educational practices, in tune with the centre’s educational philosophy, are based on the construction of knowledge through experience.

Categoría cabecera
recorridos performativos
Performative routes 2021
Pie media

Foto Sue Ponce

¿Es un ciclo?
Desactivado
Duration
Every weekend until the closing of the exhibitions
Biografías

Obituary is a live monologue performed by the artist which falls apart and eats itself.

Combining characters and motifs from past work, the performance acts as a parody of Plato’s cave and an expansion of the language found in Matt Copson’s animation and installation work.

This is his first fully-fledged performance with live soundtrack by long-time collaborator felicita.

MATT COPSON

Matt Copson was born in 1992 in Oxford, England. His work uses theatrical devices and artistic tropes to create existential dramas of contemporaneity, abstraction, eternal recurrence and the uncanny.
His shown exhibitions and projects at CLEARING (Brussels) Swiss Institute (New York), Louis Vuitton Foundation (Paris), Mönchehaus Museum (Goslar) and Serpentine Sackler Gallery (London). In 2022, he will premiere ‘Last Days’, his first opera as a librettist and director, at the Royal Opera House, London.

 

Type of activity
Dates
VIERNES 3 DE JUNIO 19:00h
Intended for
Entradilla

As part of the exhibition Myriad Reflector, which will be activated through a programme of nocturnal flashes of different rhythms and intensities, the artist Matt Copson will perform a performance entitled Obituary. ​

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Categoría cabecera
Obituario Matt Copson
OBITUARY. MATT COPSON
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Pie media

Matt Copson. Courtesy of the artist.

¿Es un ciclo?
Desactivado
Duration
25 minutos

Manuel Segade and Tania Pardo guide us through the exhibition called Dialecto CA2M – made up of the CA2M Collection and the ARCO Foundation Collection – to introduce us to a century of contemporary art history in Madrid but told from Móstoles.

The stories and anecdotes about the works on display are interwoven with the way they are displayed; with the change of lighting, the colours of the walls or via posters with unusual information about the artworks.

It’s not a question of seeing the exhibition with its protagonists but of them accompanying us on a collective journey through a public collection that belongs to all the inhabitants of the Autonomous Community of Madrid.

The fact that we talk to each other as a museum is a way of showing that what seems to be ours is really yours.

Dates:

28 November: Manuel Segade

12 December: Tania Pardo

19 December: Manuel Segade

9 January: Tania Pardo

Please sign up in advance by calling 91 276 02 21 or by sending an email to: ca2m@madrid.org

 

Type of activity
Dates
SUNDAYS 12:30H
Intended for
Temas
Acceso notas adicionales

Capacity: 15 people

Entradilla

Manuel Segade and Tania Pardo guide us through the exhibition called Dialecto CA2M – made up of the CA2M Collection and the ARCO Foundation Collection 

Subtítulo
VISITS TO DIALECTO CA2M
Categoría cabecera
Visitas Dialecto CA2M
LET MANUEL OR TANIA GIVE YOU THE LOWDOWN
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Pie media

Picture: Galerna Foto.

¿Es un ciclo?
Desactivado
Duration
1 hour

Even if we wanted to, we cannot kill our dead. There are certain tasks that the dead summon us to do. And so, we carry them with us in our day to day lives, in small gestures or flashes of very intense emotion. How to share the losses, that which remains bound to us, the strange impermanence, that eagerness to bury our hearts, the confusing and incessant buzzing blue pain? Mourning is a political task, it builds community, it is a ritual of caring that reproduces life. Mourning unites us. I often talk to my friends about this, I believe that our grandmothers were the last ones to truly understand that death was part of life. They knew how to reconnect with the soil, and now perhaps it is time for us to create other rituals, other ways of being, of living and of dying.

Between January and June 2021, Marta Echaves carried out extensive research into mourning, its representations, politics and rituals. She was accompanied by the choreographer Esther Rodriguez Barbero, the artist Julia Montilla and the researcher Maria Rosón. From that series of meetings and conversations emerge certain questions and approaches which have shaped the programme of public activities That Blue Buzzing Sound.

Understanding research as a way of accompanying other projects that also address our contemporary relationship to death and grieving, That Blue Buzzing Sound focuses on sharing practices and poetics that make it possible to grasp experiences when language fails us and the end is centre-stage.

Marta Echaves. She is the coordinator of activities in Spain for the publishing house Caja Negra. She has written for artists' catalogues and publications and is, alongside María Ruido and Antonio Gomez Villar, the editor of Working Dead. Post-work scenarios (La virreina at the Centre of the Image). Interested in writing and historical research, her projects aim to revisit images and metaphors by focusing on intimate experiences and anecdotes as detonators of poetic memory devices. “La Contrarrevolución de los Caballos” was an investigation into heroin and HIV in the context of Spanish neoliberalism, which took on various formats and was shown in places such as Can Felipa, MACBA, MNCARS, ARCO... More recently, she presented her research into post-dictatorship paranormal memory with the conference "De las Acechanzas" (On the Hauntings) at the Domingo Festival.

Type of activity
Dates
12 and 13 november
Intended for
Temas
Acceso notas adicionales

12th November 18:00 - 21:00 13 November 11:00 - 14:00. Capacity: 20 PLAZAS

Entradilla

Between January and June 2021, Marta Echaves carried out extensive research into mourning, its representations, politics and rituals. She was accompanied by the choreographer Esther Rodriguez Barbero, the artist Julia Montilla and the researcher Maria Rosón. From that series of meetings and conversations emerge certain questions and approaches which have shaped the programme of public activities That Blue Buzzing Sound.

Subtítulo
Workshops and public activities
Categoría cabecera
Ese zumbido azul
THAT BLUE BUZZING SOUND
Pie media

Este río es este río, action by Pepe Espaliú, Urumea river, summer 1992. Arteleku. La barca, Marina Gonzalez Guerreiro, Tamuxe river, summer 2019. Author's photograph

¿Es un ciclo?
Desactivado
Duration
Two days workshop

The Research, Data, Documentation, Enquiring and Causation Department (DIDDCC) is a temporary and intermittent structure, directed by Sergio Rubira, that constitutes a space for the study and collaborative research of the museum institution and what it means to call the CA2M by that name. It also addresses the act of curating: what it means to create a public collection, what is collected, how a collection is put together and who does it, how it is set up and then exhibited. The DIDDCC will also enquire what has been excluded, or continues to elude them, from the seemingly objective narrative established by museums through their collections and through the way in which they display them: what they have decided not to tell and, therefore, does not make it into the museum, what they prefer to hide in the warehouses stored away or pushed to the back of a shelf, or what is forbidden as it breaks the rules. They will imagine possibilities to establish other methods of narrating that break with the chronological and progressive discourse that appears so natural within the museum. They will reflect on what the displays mean and which are the rhetorical resources it uses. And, finally, via the exhibition their collections, who they challenge and affect.

The DIDDCC gets its name, as a sort of homage, from Seth Siegelaub’s calling card. A the fundamental reference for anyone wishing to trace the history of exhibition curating, he would use said card to outline the activities he undertook as the director of his foundation, the Stichting Egress Foundation, which specialises in contemporary art and textile history, topics which he was extremely knowledgeable about.

The DIDDCC will focus on these aspects and use the collections of the CA2M as a case study: the centre’s own and those of the ARCO Foundation. The DIDDCC’s structure involves lecture seminars, work sessions on specific cases and meetings with guests who have worked in these areas, and demands a commitment to research that goes beyond just face-to-face sessions. One of the DIDDCC’s main objectives is to create a context for the pieces that form part of the CA2M collections and build a possible discourse regarding its creation.

The DIDDCC offers activities that are integrated into the centre’s own programming.

Fechas texto cabecera
FRIDAY FROM OCTOBER 29 TO MARCH 11
Inscripción:
-
Acceso notas adicionales

This activity is aimed at graduates, degree-holders, last-year graduates or master’s students or doctoral candidates in Art History, Fine Arts, Architecture, Humanities or related disciplines. The ability to read in English is essential

Entradilla

The Research, Data, Documentation, Enquiring and Causation Department (DIDDCC) is a temporary and intermittent structure, directed by Sergio Rubira, that constitutes a space for the study and collaborative research of the museum institution and what it means to call the CA2M by that name

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Subtítulo
THE RESEARCH, DATA, DOCUMENTATION, ENQUIRING AND CAUSATION DEPARTMENT
Categoría cabecera
DIDDCC
DIDDCC
Más información
Type of Thinking / Community
Temas Pensamiento
Ocultar imagen principal
Desactivado
Duration
FRIDAY FROM OCTOBER 29 TO MARCH 11 | 16:30 - 20:00
¿Es un ciclo?
Desactivado

This autumn's cinema series is a celebration of the audio-visual media that is part of the Centro de Arte Dos de Mayo Museum’s public heritage. Our collections feature many pieces of video art encompassing the last decades of audio-visual history, both nationally and internationally. In recent years, we have also decided to make a strong commitment to promoting experimental and exhibition cinema, as we consider the moving image to be a fundamental heritage in present-day culture and, above all, because it is important to have a museum record of the great moment that film is currently experiencing in Madrid.

Dialectal Cinema is an ideal accompaniment to Dialecto CA2M. It will allow us to watch some of the most interesting films acquired in recent years in their authors’ own voices. In other words, it will follow the traditional cinema and colloquium format, but with exceptional artists.

Non-commercial cinema is a fundamental element for the opening of the CA2M Collection. Luis López Carrasco (Murcia, 1981) will open the cycle with The Future (2013), a film of unique generational importance. This was his first big hit before the acclaimed The Year of Discovery (2020). Another documentary film, Everyone likes bananas, brings Rubén H. Bermúdez (Móstoles, 1981) back to our museum, collectively addressing the day-to-day experience of blackness in Spain as part of an impressive community exercise. The Science fiction category will be represented by Ion de Sosa (San Sebastian, 1981), who adapted Philip K. Dick's Androids Dream of Electric Sheep into a dystopian Benidorm during low season.

Lois Patiño (Vigo, 1983) has been a leading voice in the field of exhibition cinema, a less narrative format that acts as a loop for exhibition spaces, over the last decade. In Shady Mountain, the viewpoint and light reveal the geological formation as a place of coexistence, a sublime place to live. Films by Alex Reynolds (Bilbao, 1978) defy conventional narrative by displaying the affective structures that glue viewers to the screen.

In the final session can chat with three quite different video artists. Ana Esteve (Agres, 1986) discusses cinema itself and its conventions in her films. In The Magic Screen she turns a city built on the East Coast of Spain, the Levante, which is still a potential dream, into an archaeological site. Cristina Garrido (Madrid, 1986) uses a cliché promotional documentary to explain a new kind of art. This film is shown at art fair stands and Garrido herself considers it to be another artistic genre altogether: just like painting, the art featured at the fair pavilion. Finally, Mar Reykjavik (Sagunto, 1995) reflects on the creation of identity through new technologies and the virality of networks. My body, my rules analyses the potential relationships and escapes resulting from viral challenges.

In addition to these dates, and for the duration of the CA2M Dialect exhibition, all the video pieces from the CA2M Collection and the ARCO Foundation Collection will be available for viewing in a cinema on the second floor of the museum. There, visitors can choose which piece they want to watch and enjoy the possibilities that the cinematographic medium offers for current artistic expression.​

Type of activity
Dates
Del 28 de octubre al 2 de diciembre
Intended for
Entradilla

This autumn's cinema series is a celebration of the audio-visual media that is part of the Centro de Arte Dos de Mayo Museum’s public heritage. Our collections feature many pieces of video art encompassing the last decades of audio-visual history, both nationally and internationally.

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Subtítulo
CINEMA IN THE CA2M COLLECTION
Categoría cabecera
El Futuro
DIALECTAL CINEMA
More information
Pie media

Fotograma de El Futuro, Luis López Carrasco, 2014.

¿Es un ciclo?
Desactivado
Duration
18:30 - 20:30

After months without being able to be physically present in the museum, we are now returning to our performative walkthroughs in order to recover a shared closeness in our exhibitions. We will have to relearn how to move simultaneously through the exhibition halls, to keep our distance while remaining close, to invent new ways of looking after each other, of listening to one another and to share. To this end, the walkthroughs will be limited to a maximum of 10 people. Wednesdays at 7:00 pm and Sundays at 12:30 pm we will explore the exhibition Absurd Humour: A Constellation of Folly in Spain and Saturdays at 7:00 pm Francesc Ruiz. Panal.

To enrol, send a message to educacion.ca2m@madrid.org or call 91 276 02 21. You can also turn up personally at the museum and, if there is still room, you can join the walkthrough, simply leaving your personal details at reception. We are taking all these measures in order to look after one another, and we must be aware that they may be modified with the changing situation. We’re really looking forward to taking these walkthroughs of the museum with you once again.

RESOURCES

From the collection catalogued on our web, we propose ways of looking and position-taking, of listening to one another, and to thus mutate into a body that takes shape among the images. Through motion, making with your hands, thinking in a low voice, giving it your all dancing, stopping for a pause, losing yourself, reading with other authors, answering questions, we propose a series of places and images to look at the collection as much together as we can.

Type of activity
Dates
Wednesdays, Saturdays and Sundays
Acceso notas adicionales

To enrol, send a message to educacion.ca2m@madrid.org or call 91 276 02 21.

Entradilla

After months without being able to be physically present in the museum, we are now returning to our performative walkthroughs in order to recover a shared closeness in our exhibitions. We will have to relearn how to move simultaneously through the exhibition halls, to keep our distance while remaining close, to invent new ways of looking after each other, of listening to one another and to share. To this end, the walkthroughs will be limited to a maximum of 10 people.

Categoría cabecera
Recorridos performativos CA2M
Performative Walkthroughs
¿Es un ciclo?
Desactivado
Duration
One session per day